 |
Classes
and Workshops |
Studying and teaching are important facets of Jane's life. The knowledge of design, color, and creativity that she shares encourages each of her students to develop his or her own self expression through art.
Workshops of 1 day, 3 days or 5 days are available.
Explanations and examples of workshops can be faxed or mailed .
Watercolor I (Basic Watercolor)
- In studio instruction
- Introduction to basic techniques (washes, brush strokes, use of various watercolor papers)
- Basic design, color theory, drawing, and value studies using various subject matter
- Discussions on how to use the color wheel with different palettes of color and color schemes
- Step by step demonstrations of landscapes, still life, buildings, close-ups, water, flowers and vignettes
- Constructive and informal
- For first time students
- Can be repeated until ready to move to the next level
- Critiques
Watercolor/Composition
- In studio instruction
- Impressionistic and abstract
- More advanced techniques, composition, color and design using different subject matter
- Emphasis on composition, design, color, creativity, and problem-solving
- Pouring, direct painting, glazing, broken color and light, wet into wet techniques, working with different color schemes and value schemes to create different moods
- Working with small preliminary paintings to be used in the final painting and starting your final piece to be finished by the next week's session
- Painting demonstrations, lectures and personal instruction
- Use of own subject matter and development of own composition
- Critiques
Design I
- In studio instruction
- Opening your mind to creativity
- Basic design using the elements and principles of design to better understand how to create your own content
- Step by step demonstrations concentrating on using each element separately using one of the principles as being dominant - building one onto the other
- Use of value schemes and color schemes
- Students use own reference material
- For all levels of experience
- Compositional drawings in ink are then transferred to watercolor paper for the painting process
- Demonstrations and individual assistance
Design II
- In studio instruction
- Enhancing your creativity
- Advanced study of the elements and principles of design and how to unify your paintings to create a more powerful statement
- Emphasis on project development
- Examples to trigger mind to new creative ideas
- Demonstration of "problem to be solved" and critique of "solution" during class time
- A full syllabus with illustrations and explanations of the creative ways of findings your own content
- Demonstrations and critique
Color I
- In studio instruction
- Testing of colors for transparency, intensity, and staining properties
- Understanding basic color theory
- Finding the different palettes of color and how to use them
- Determining what is fugitive and what is permanent
- Using color schemes with your choice of compatible pigments
- Demonstrations
Color II
- In studio instruction
- Extensive study of color working with the 7-color contrasts
- Step by step demonstrations on each individual color contrast building one onto the other until all 7 are used
- Students choose own subject matter and value scheme and work on preliminary paintings developing them into larger formats
- Must have had some painting experience
- Demonstrations
- Critique session every day
Collage
- In studio instruction
- Based on color and design
- Exploring design through collage
- Use of various materials with water media, acrylic, marbling, monotypes, rice papers, printed and colored papers, aluminum foil, wood shavings, fabrics, etc.
- Use of abstract and realistic
- Development of color, value, texture, line, and shape relationships
- Use of illustration board and heavy watercolor paper for a support working with smaller sizes Making unworkable paintings workable through collage
- Experimental techniques
- Demonstrations and critiques
Experimental
- In studio instruction
- Use of acrylics, ink, dyes, watercolor, acrylic and collage
- Abstract and non-objective
- Working inventively with your tools, trying anything you can think of to bring new life to your paintings
- Discovering the joy of pouring, scrubbing, glazing, cutting, ripping, stamping, splattering, and organizing into a more creative work of art
- Demonstrations
Experimental Collage
- Experimenting with various ways of using collage with mixed media
- Making cast paper for collage
- Working with and making textured supports
- Creating a layered look
- Working with heavy objects
- Working with fibers
- Experimenting with metallic, interference, transparent, translucent and opaque acrylics and different textured rice papers
- Strong emphasis on design
- Demonstrations
- Critiques
Innovation
- Problem solving to increase your creativity
- Learning how to become more original with materials and methods that are out of the ordinary
- Finding different ways of doing things using your academic ideas as stepping stones (Example: using different viewpoints or angles; using different formats or structures; using spatial concepts)
- Breaking boundaries
- Breaking the rules
PLEIN AIR (On Location Painting)
- Seeing and experiencing nature in the raw and creating impressions
- For intermediate to advanced students
- Realistic to impressionistic
- Emphasis on drawing, value, structure, design, and problem solving
- Not copying nature, but feeling it
- Landscapes, buildings, water, mountains, rocks, flowers, etc.
- Using value schemes taken from nature
- Close-ups and vignettes
- Enjoying the outdoor experience
- Collage demonstrations on an unworkable painting done on location
- Demonstrations and informal critique (All demonstrations are carefully explained step by step as they progress, giving the student the thought process of the artist's thinking.
Additional information
- Guest workshop demonstrator for over 50 art organizations and self-sponsored and art organization-sponsored workshops across the United States (including Hawaii), Europe, Mexico, Guatemala and on cruises
- Innumerable articles written
- On all workshops and weekly classes emphasis is on composition, color, design, track of vision and focus.)
- All European trips will be done with quick ink sketches with watercolor washes. Use 1/4 sheet (or smaller) watercolor block with impressionistic painting. Some painting experience is necessary.